IDEAS BEFORE GENRES

THE STORIES.

Every song has roots. A feeling, an observation, a question, a memory — a story worth telling.

Tree roots growing into glowing orange technological audio structures
WORDS / FEELING / SOUND

A song can begin with an ache, a joke, a memory or a question. Then the sound finds its way in.

At the root of every song is a story. Explore the catalog through the ideas that gave the music its beginning. Songwriter explanations and lyrics appear on a song's page when they are available.

FIND YOUR THREAD
01 / CATALOG

It's Only Halloween

Dark Cinematic Dance-Pop

“It’s Only Halloween” began when one of Frank’s friends suggested he make a Halloween song. What sounded simple quickly became a production challenge. Frank found that Halloween songwriting naturally tended to drift toward either children’s novelty music or exaggerated haunted-carnival sounds. He wanted to see whether the same familiar imagery—pumpkins, candy, costumes, monsters, trick-or-treating and jumpscares—could live inside a darker, polished contemporary production. The resulting track pits those two instincts against each other: cinematic C-minor dance-pop production underneath deliberately playful Halloween imagery. Frank doesn’t consider the experiment a complete escape from the kid-song quality he was trying to avoid. That tension became part of what makes the song interesting within the project.

05 / CATALOG

Tired of Fighting Me

Indie Folk Ballad

“Tired of Fighting Me” turns the conflict inward. Its narrator moves through the world convinced that other people see the same things in him that he sees in himself: a burden, an outsider, someone unwanted. But beneath all of that certainty is a question he can’t quite silence: What if the voice condemning him isn’t telling the whole truth? The song doesn’t answer that question with sudden recovery or easy reassurance. It ends with something smaller—and potentially more important: the possibility that the person and the curse are not the same thing.

07 / CATALOG

Turning the Dark Into Brighter Mornings

Modern Alternative Rock

“Turning the Dark Into Brighter Mornings” is about refusing to let one difficult day become a prediction of everything that comes after it. The problems don’t magically disappear. The car still breaks down. The bills are still on the floor. The plans still fail and the storm still rolls in. What changes is the narrator’s decision about what those things are allowed to mean. A bad day can hurt. It doesn’t get to write the whole story.

11 / CATALOG

Thieves Among Us — MUSIC THIEF

Dark Industrial Rock

“Thieves Among Us — MUSIC THIEF” is a confrontational response song about the contradiction Frank saw between people dismissing his AI-assisted work as “talentless” while, in his view, taking ideas, artwork, titles or concepts from that same work. The song begins in accusation mode—titles, hooks, concepts and creative identity being taken—and gradually arrives at a larger argument: Someone may imitate the result. That doesn’t mean they possess the creative source that produced it.

12 / CATALOG

The Wrong Note in the Song

Country Rock Ballad

“The Wrong Note in the Song” turns the experience of not fitting in into an entire musical world. Everyone else seems to move in rhythm, find the tempo and understand the melody instinctively. Against that imagined harmony, the narrator experiences himself as dissonance—the single note that doesn't belong. The song's most painful question isn't whether the note is actually wrong. It's what happens when someone becomes convinced that it is.

14 / CATALOG

I’M GEN X, BITCH!

Industrial Metalstep

“I’M GEN X, BITCH!” takes the familiar mythology surrounding Generation X—the latchkey kids, garden hoses, mixtapes, unsupervised afternoons and figure-it-out-yourself childhood—and turns it into an oversized metalstep anthem. It isn’t a scientific argument that one generation is tougher than another. It’s Frank having fun with his own generation’s favorite argument about itself. Beneath the exaggeration, though, the song connects those childhood stories to a more serious idea: learning to rely on yourself when nobody hands you instructions.

17 / CATALOG

A Mother Always Knows

Country Ballad

“A Mother Always Knows” is Frank's tribute to his mom and to the bond he believes exists between mothers and their children. The song moves from a six-year-old boy crying over a scraped knee to a grown man with a house and life of his own—and discovers that growing older never completely removes the need for the person who seemed to understand before anything had to be explained. The child grows up. The names change. The connection remains.